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2” come in the dirt and grime smeared over the flesh of those who have been on the ground on New Caprica as compared to the crisp, clean military personnel aboard Galactica. Still, the best things about the concluding passages of “Exodus, Pt.
It might have been more interesting to follow storylines of Starbuck trying to grow accustomed to balancing military life and caring for a child-the ultimate working mother (though, to be honest, cute kids have ruined so many otherwise good shows that the writers can hardly be blamed for ridding themselves of this one so quickly). Even the fact that Starbuck’s daughter is not actually her daughter (which is structured as though the writers thought we would be surprised by it) seems anticlimactic.
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None of this is surprising-again, the status quo cannot be mucked with very much on a successful television series before viewers start to rebel.
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The episode concludes with Adama snipping off his mustache, returning to his look from the first two seasons, ready to command a full regiment again.
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Backed by a solid piece of music from Bear McCreary (one of the great, unheralded TV composers), the final scenes eventually turn to silence as Adama’s victory is hailed, Laura Roslin (Mary McDonnell) again takes her seat at the presidential desk, Starbuck (Katee Sackhoff) sees the child she was told was hers reunited with its real mother, and Tigh (Michael Hogan) can only watch as his old friend Adama is feted, even though he sacrificed a wife to make the humans’ escape possible. While the idea of separating your cast for long periods of time to make it more dramatic when they re-gather is becoming increasingly popular, it is surprising how effective it is when everyone is brought back together at episode’s end. The episode also reunites its core cast (save for Baltar, who appears to have gone off with the Cylons for now).
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Similarly, the scenes on board the Galactica during the ship’s battle with four Cylon basestars (the Cylon equivalent of a Battlestar) have the feel of a submarine movie (at least one filmed post- Das Boot) with smoke clogging the air, alarms bellowing and Admiral Adama (Edward James Olmos at his gritty best) shot at tight, off-center angles.
With snow and flakes of debris floating through the air and the wind whistling and howling, the scenes have an overall eerie effect, especially when the small camp is abandoned and only a handful of Cylons and Baltar (James Callis, who is playing his character’s fall from grace like the ultimate guilt trip) are left.
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The scenes set on New Caprica, where the insurgency ups its efforts to get the Cylons to leave and the free humans launch their attack, have a bleak, wintry look, like colorized World War II newsreel footage. (There was one scene where the characters were obviously pinned down by a Cylon in a guard tower and one character helpfully said, “They’ve got us pinned down! We’re trapped!” On many other shows, that level of exposition would be helpful to the audience here it just felt unnecessary, so perfectly had the scene been constructed to show us the relation of the characters to the gunfire.) As the episode involved several battles between spaceships, this might have led to severe confusion, but the clarity of the storytelling and the show’s ability to delineate battlefield geography meant that I was able to follow everything, title cards or no. Due to a prior weekend commitment, I was only able to view the episode on a screener DVD that did not have completed visual effects. 2” is a testament to the strength of the show’s technical crew. While last week’s episode was all build-up, Part Two is all climax, even if some of the plot threads devoted lavish attention in the first part are abandoned in the second. Both were written by David Weddle and Bradley Thompson and directed by Felix Alcala. 2,” forms a complete story with last week’s episode, “Exodus, Pt. These same events dig tiny holes in the Galactica foundation that may grow into chasms given enough time. But all the characters bear scars of some kind from events detailed in the last few episodes. There is never any doubt that the humans stranded on New Caprica will eventually be reunited with their counterparts in space and continue their galaxy-wide search for Earth (this is TV, after all, where you abandon the status quo at your peril). As in the best war movies, though, the focus is less on the explosions and more on the human cost of the struggle for freedom.
In the fourth episode of its third season, Battlestar Galactica goes all-out war movie, featuring what seems to be the biggest battle of the show’s run.
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